Stop running from your problems

Face them head on. No, it won’t be easy. There is no person in the world capable of flawlessly handling every punch thrown at them. We aren’t supposed to be able to instantly solve problems. That’s not how we’re made. In fact, we’re made to get upset, sad, hurt, stumble and fall. Because that’s the whole purpose of living – to face problems, learn, adapt, and solve them over the course of time. This is what ultimately molds us into the person we become.

The Story behind The Scream

I was walking along the road with two friends – the sun was setting – suddenly the sky turned blood red – I paused, feeling exhausted, and leaned on the fence – there was blood and tongues of fire above the blue-black fjord and the city – my friends walked on, and I stood there trembling with anxiety – and I sensed an infinite scream passing through nature.

Edvard Munch, who never married, called his paintings his children and hated to be separated from them. Living alone on his estate outside Oslo for the last 27 years of his life, increasingly revered and increasingly isolated, he surrounded himself with work that dated to the start of his long career. Upon his death in 1944, at the age of 80, the authorities discovered—behind locked doors on the second floor of his house—a collection of 1,008 paintings, 4,443 drawings and 15,391 prints, as well as woodcuts, etchings, lithographs, lithographic stones, woodcut blocks, copperplates and photographs. Yet in a final irony of his difficult life, Munch is famous today as the creator of a single image, which has obscured his overall achievement as a pioneering and influential painter and printmaker.

Munch's The Scream is an icon of modern art, a Mona Lisa for our time. As Leonardo da Vinci evoked a Renaissance ideal of serenity and self-control, Munch defined how we see our own age—wracked with anxiety and uncertainty. His painting of a sexless, twisted, fetal-faced creature, with mouth and eyes open wide in a shriek of horror, re-created a vision that had seized him as he walked one evening in his youth with two friends at sunset.

Edvard Munch, has described himself in a book written in 1900 as nearly going insane, like his sister Laura who was committed to a mental institution during this time period as well. Personally he discussed being pushed to his limits, and going through a very dark moment in his life.

The scene of The Scream was based on a real, actual place located on the hill of Ekeberg, Norway, on a path with a safety railing. The faint city and landscape represent the view of Oslo and the Oslo Fjord. At the bottom of the Ekeberg hill was the madhouse where Edvard Munch’s sister was kept, and nearby was also a slaughterhouse. Some accounts describe that in those times you could actually hear the cries of animals being killed, as well as the cries of the mentally disturbed patients in the distance. In this setting, Edvard Munch was likely inspired by screams that he actually heard in this area, combined with his personal inner turmoil. Edvard Munch wrote in his diary that his inspiration for The Scream came from a memory of when he was walking at sunset with two friends, when he began to feel deeply tired. He stopped to rest, leaning against the railing.  He felt anxious and experienced a scream that seemed to pass through all of nature. The rest is left up to an endless range of interpretations, all expressed from this one, provocative image.


The Real (And Not at All Universal) Meaning Behind Edvard Munch's The Scream

Edvard, came from a grim and deeply religious family. His father, a military doctor, married a woman 20 years his junior, who hailed from a once well-to-do clan that had fallen on hard times. She bore five children, of which Edvard was the second, and she died early, leaving behind a tragic letter to her family saying, “We all, who God so carefully has bound together, may meet in Heaven never to part again.” Munch’s dad became morose and fanatical; he would read this letter aloud to his clan at the dinner table, regularly, and lecture his kids on the horrors of hell that awaited them if they strayed from the righteous path. This fatalistic atmosphere definitively colored Munch’s view of the world.

Which brings us back to “The Scream,” actually originally known as “The Scream of Nature.”

I was walking along the road with two friends – the sun was setting – suddenly the sky turned blood red – I paused, feeling exhausted, and leaned on the fence – there was blood and tongues of fire above the blue-black fjord and the city – my friends walked on, and I stood there trembling with anxiety – and I sensed an infinite scream passing through nature.

Notice anything about this tale? “The Scream” is often taken as an image of personal isolation or alienation. But it is significant that the scene takes place in public, not in some lonely interior (of which there are many in Munch’s work). Whatever emotion is seizing the wailing central figure, it comes upon him not when he is isolated, but when he is “walking along the road with friends,” represented by the strolling couple glimpsed in the painting behind him, apparently oblivious to the drama taking place in the foreground.

The key to the image is that its terrifying epiphany is felt to be an expression issuing through the figure from the landscape or the cosmos itself (“I felt the great scream in nature”). This is what Munch’s then-radical Expressionist styling, in which everything — sky and sea and the wailing, deformed figure itself — conveys so perfectly, depicting a universe fully animate with turbulent emotional meaning.

Munch was trained to see the universe as being filled with divine meaning, as subject to a plan — but he also could no longer fully believe in this plan. And so the universe speaks but has no voice, shrieks but makes no sound, issues forth a sense of loss that transcends any human fellowship.



Regards,

Ismail R Raslan

Special thanks to Dr.Rakan Nazer

Challenges keep us alive

The Japanese have always loved fresh fish. But the water close to Japan has not held many fish for decades. So to feed the Japanese population, fishing boats got bigger and went farther than ever. The farther the fishermen went, the longer it took to bring the fish. If the return trip took more time, the fish were not fresh.


To solve this problem, fish companies installed freezers on their boats. They would catch the fish and freeze them at sea. Freezers allowed the boats to go farther and stay longer.


However, the Japanese could taste the difference between the fresh and the frozen fish. And they did not like the taste of the frozen fish. The frozen fish brought a lower price. So, the fishing companies installed fish tanks. They would catch the fish and stuff them in the tanks, fin to fin. After a little thrashing around, they were tired, dull, and lost their fresh-fish taste. The fishing industry faced an impending crisis! But today, they get fresh-tasting fish to Japan

How did they manage? To keep the fish tasting fresh, the Japanese fishing companies still put the fish in the tanks but with a small shark. The fish are challenged and hence are constantly on the move. The challenge they face keeps them alive and fresh!


Have you realized that some of us are also living in a pond but most of the time tired and dull? Basically in our lives, sharks are new challenges to keep us active. If you are steadily conquering challenges, you are happy. “Your challenges keep you energized. Don’t create success and revel in it in a state of inertia. You have the resources, skills and abilities to make a difference.


Put a shark in your tank and see how far you can really go..!

Challenges and difficulties are the essence of success. They keep us alive and we need them to stay active and fit for life!

The past should stay in the past

Good and bad memories should stay right where they belong – in the past. Positive people do not spend their time, longing for the good old days, because they are too busy of working on their current and future day. They do not use negative experiences of the past for self-flagellation or regret, but for taking lessons and move to a better future.

Stephen Hawking's Advice to his children

One, remember to look up at the stars and not down at your feet. Two, never give up work. Work gives you meaning and purpose and life is empty without it. Three, if you are lucky enough to find love, remember it is there and don't throw it away.

Stop caring about the boundaries others set up

No matter how much progress you make there will always be the people who insist that whatever you’re trying to do is impossible. Or they may incessantly suggest that the idea or dream as a whole is utterly ridiculous because nobody really cares. When you come across these people, don’t try to reason with them. Instead, forget that they exist. They will only waste your time and energy.

Try what you want to try. Go where you want to go. Follow your own intuition. Don’t accept false choices. Don’t let others put a cage around you. Definitely don’t listen to the watchdog.

Whenever somebody discredits you and tells you that you can’t do something, keep in mind that they are speaking from within the boundaries of their own limitations.

What part of ourselves we dislike ?

People filled with self-loathing typically imagine they dislike every part of themselves, but this is rarely, if ever, true. More commonly, if asked what specific parts of themselves they dislike, they're able to provide specific answers: their physical appearance, their inability to excel academically or at a job, or maybe their inability to accomplish their dreams. Yet when presented, for example, a scenario in which they come upon a child trapped under a car at the scene of an accident, that they recoil in horror and would want urgently to do something to help rarely causes them to credit themselves for the humanity such a reaction indicates.

Why do self-loathers so readily overlook the good parts of themselves? The answer in most cases turns out to relate not to the fact that they have negative qualities but to the disproportionate weight they lend them. People who dislike themselves may acknowledge they have positive attributes but any emotional impact they have simply gets blotted out.